“She fills the Chandler with her glorious soprano. Sørensen is every bit the woman a sailor might dream of coming home to.”
Culture Vulture
Press:
“Rachel Willis-Sørensen, the Desdemona, was no shrinking violet next to her warrior husband. She showed great pride and anger in their act three scene together…Vocally, she floated beautiful soft high notes in the Willow Song and Ave Maria, and gave a heartbreaking outburst of Addio! to Emilia.”
Classical Voice
"Willis-Sørensen, a young American soprano in her L.A. Opera debut, is a true Verdian, a spinto soprano with a voluptuous tone. We are surely going to be hearing more of her."
LA Times
“Willis-Sorenson, in her LA debut, excels in the role of Desdemona, an effortless soprano who can communicate darkness and desperation rather than bright eyed innocence, even at the top of her register.”
The LA Beat
"Rachel Willis-Sørensen ist eine lyrisch aufblühende Elisabeth."
Tagesspiegel
“The concert-going public's appetite for Richard Strauss's Four Last Songs is infinite and Rachel Willis-Sorensen is the latest contender...”
The Daily Mail
“En este álbum luce, tanto en las canciones como en la parte operística, su hermoso y amplio instrumento de carácter lírico y una rica paleta de colores, así como un fraseo elegante y efusivo, especialmente en una hermosa interpretación de “Im Abendrot”... en la gran escena final de Capriccio Willis-Sorensen retrata a una Condesa tan aristocrática como pasional, en una línea interpretativa que remite, por ejemplo, a Renée Fleming.”
Ópera Actual