- Rachel Willis-Sørensen Rachel Willis-Sørensen

26 Mar 2025

“Willis-Sørensen sang with radiant fervour and her delivery of “D'amor sull'ali rosee” had intensity to spare. There was magic in the air whenever she and Fabiano held sway together, so between Rehlis and the two lovers the Covent Garden stage caught fire.”
Bachtrack

“Willis-Sørensen sang with radiant fervour and her delivery of “D’amor sull’ali rosee” had intensity to spare. There was magic in the air whenever she and Fabiano held sway together, so between Rehlis and the two lovers the Covent Garden stage caught fire.”

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Mar 2025 / Critical Acclaim

“Leonora was a strong Rachel Willis-Sørensen…her voice is full of the emotion and showing a new vulnerability to her voice during the convent scene towards the end of act 1.”
Gramophone

Mar 2025 / Critical Acclaim

“His Leonora, Rachel Willis‑Sørensen, also holds the stage well and seems as involved as the production allows. Her soprano is of the right cut for the role. It is rich of tone, voluminous, and has surprisingly nimble coloratura for such a large instrument. The “Miserere” displays what a well‑knit voice it is, with a solid lower range down to a resonant D flat two octaves lower.”
ConcertoNet