“Leonora was a strong Rachel Willis-Sørensen…her voice is full of the emotion and showing a new vulnerability to her voice during the convent scene towards the end of act 1.”
Gramophone
“Leonora was a strong Rachel Willis-Sørensen…her voice is full of the emotion and showing a new vulnerability to her voice during the convent scene towards the end of act 1.”
“Last seen as a fine Donna Anna in Don Giovanni, Willis-Sørensen has returned with vocal power and authority enhanced. The role suits her well at this point in her career, a Leonora of shining, bright radiance, lyrical but also agile enough where required…”
Financial Times
“Willis-Sørensen sang with radiant fervour and her delivery of “D'amor sull'ali rosee” had intensity to spare. There was magic in the air whenever she and Fabiano held sway together, so between Rehlis and the two lovers the Covent Garden stage caught fire.”
Bachtrack