“That being said, the soprano Willis-Sørensen displayed an opulent tone that had a variation of dynamics. The soprano could display a floating piano, especially in her first solo, “Mein Elemer!.” Here she also showcased a spectacular legato line with a resonant middle voice. Her voice rode over the orchestral waves with delicacy, the dynamics never soft. It all felt organic as she sang the lyric lines of this introspective section, and when she got to the waltz part of the aria, her voice displayed a gleaming quality, flexible runs, and brighter timbre as she rode the legato lines in her higher tessitura. In her duet “Aber der Richtige,” she began with a lush middle voice and a piano sound that slowly grew into her higher range.”

Operawire

“That being said, the soprano Willis-Sørensen displayed an opulent tone that had a variation of dynamics. The soprano could display a floating piano, especially in her first solo, “Mein Elemer!.” Here she also showcased a spectacular legato line with a resonant middle voice. Her voice rode over the orchestral waves with delicacy, the dynamics never soft. It all felt organic as she sang the lyric lines of this introspective section, and when she got to the waltz part of the aria, her voice displayed a gleaming quality, flexible runs, and brighter timbre as she rode the legato lines in her higher tessitura. In her duet “Aber der Richtige,” she began with a lush middle voice and a piano sound that slowly grew into her higher range.”