21 May 2018

Der Rosenkavalier/Glyndebourne

The volume is impressive for her total command of the "Viennese masquerade...
David Nice - The Arts Desk

“The test-case of floating her last phrase in Act One was triumphantly surmounted, and the final tableau where Jones leaves his Marschallin alone with her love-struck page Mohammed – Adrian Richards, exquisitely touching and funny – brought the requisite tears to the eyes at the end of an act…The volume is impressive for her total command of the “Viennese masquerade” in the sleazy room of Act Three, again softened when the personal love-triangle comes to the fore.”

David Nice – The Arts Desk

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Jun 2018 / Critical Acclaim

Rachel Willis-Sørensen featured on "20 years of favorites from Opera Theatre of St. Louis" for her 2012 Fiordiligi in Così fan tutte
Saint Louis Today

Mar 2018 / Critical Acclaim

Above all Rachel Willis-Sørensen as Hélène, who brilliantly understands how to lend drama to her voice, which is by nature rather delicate. She is already at home in the demanding higher register and with the coloratura.

BR-Klassik

Der Rosenkavalier/Glyndebourne

The volume is impressive for her total command of the "Viennese masquerade...

Next & Prev. Articles

Rachel Willis-Sørensen featured on "20 years of favorites from Opera Theatre of St. Louis" for her 2012 Fiordiligi in Così fan tutte

Above all Rachel Willis-Sørensen as Hélène, who brilliantly understands how to lend drama to her voice, which is by nature rather delicate. She is already at home in the demanding higher register and with the coloratura.