Mozart: “Le Nozze di Figaro” at the Metropolitan Opera New York

“Rachel Willis-Sorensen … rose to her big arias beautifully.”

James R Oestreich, New York Times, 29 February 2016

“her middle voice was unimpeachable, full in body, amber in color— a strength that was even more evident in her beautiful, fully realized “Dove sono”in Act 3.”
Eric C Simpson, Classical Review, 28 February 2016