None of the six, though, stands out more than Willis-Sørensen, who combines suitable power with an impressive range of nuanced timbral shadings that compellingly communicate her character’s emotional duress..."

Chicago Sun Times

“None of the six, though, stands out more than Willis-Sørensen, who combines suitable power with an impressive range of nuanced timbral shadings that compellingly communicate her character’s emotional duress. Elisabeth is asked in Act 1 if she will accept the imposed marriage to Philippe II. The soprano communicates volumes with the character’s one-word response — a choked-out, half-hearted “yes” that is tinged with disappointment and despair.”