12 Dec 2017

Richard Tucker Gala: “A winning performance”

Rachel Willis-Sorensen […] held her own with a stylish, playful take on Rosalinde’s Czardas from Die Fledermaus. She offered a full, flowing, caramel tone and toyed elegantly with the tempo, playing up a fake Hungarian accent for comic effect. Her winning performance might have gotten a bigger hand from the audience if Luisotti and the orchestra hadn’t buried her for most of it.
New York Classical Review

Next & Prev. Articles

Mar 2018 / Critical Acclaim

Above all Rachel Willis-Sørensen as Hélène, who brilliantly understands how to lend drama to her voice, which is by nature rather delicate. She is already at home in the demanding higher register and with the coloratura.

BR-Klassik

Dec 2017 / Critical Acclaim

Rachel Willis-Sørensen has had several outings as the Countess now, and she seems to grow into the role more with each passing attempt. Her latest incarnation was sublime.
New York Classical Review