9 Mar 2019

Soprano Soloist/Dvořák’s Stabat Mater

Soprano Rachel Willis-Sørensen made clear, steady, and powerful statements of a grief in attractive and generous tones that could soar above the substantial forces. Matthew Rose took the bass role on short notice, evincing a thunderous, yet cantabile instrument.
The Boston Musical Intelligencer

Soprano Rachel Willis-Sørensen made clear, steady, and powerful statements of a grief in attractive and generous tones that could soar above the substantial forces. Matthew Rose took the bass role on short notice, evincing a thunderous, yet cantabile instrument.

Next & Prev. Articles

Mar 2019 / Features

The soprano recently talked to OperaWire about her upcoming “Don Giovanni” performances at the Met, as well as her role debut in “Rusalka.”
Operawire

Mar 2019 / Critical Acclaim

In her brief solo moments Rachel Willis-Sørensen...sang with a bright, ringing soprano that had just the right touch of vibrato to express the grief etched into this music.
Boston Classical Review