Weber: “Der Freischutz” Orchestra of the Age of Enlightenment/Mark Elder Royal Festival Hall, London

“As Agathe, Rachel Willis-Sorenson revealed a voice of immense potential: creamy, capacious, clear and tender.”

Anna Picard, The Times, 10 June 2016

“Rachel Willis-Sørensen was an ideal Agathe. Her creamy voice and purity of line, with commendable security in all registers, was what Weber surely had in mind. That she had completely internalised the Romantic spirit emerged especially in her Act II scena and aria – here given a celestial floating quality and beautifully supported by the OAE’s susurrating strings –  and in the Act III bridal cavatina, where the full range of emotions was expressed with perfect technical control.”
Alexander Hall, Bachtrack, 8 June 2016