Press:

/ Critical Acclaim

“The first performance of Arabella this season was distinguished by a felicitous series of debuts. Chief among them was Rachel Willis-Sørensen’s first stage performance of the title role, portrayed with warmth and dignity...Willis-Sørensen’s soprano, even and unforced across its range, projected easily through the house, and her phrasing in ‘Mein Elemer!’ revealed genuine introspection. She sang not as the flirtatious ingénue of tradition but as a young woman quietly testing the limits of her resolve.”

Seen and Heard International
/ Critical Acclaim

“That being said, the soprano Willis-Sørensen displayed an opulent tone that had a variation of dynamics. The soprano could display a floating piano, especially in her first solo, “Mein Elemer!.” Here she also showcased a spectacular legato line with a resonant middle voice. Her voice rode over the orchestral waves with delicacy, the dynamics never soft. It all felt organic as she sang the lyric lines of this introspective section, and when she got to the waltz part of the aria, her voice displayed a gleaming quality, flexible runs, and brighter timbre as she rode the legato lines in her higher tessitura. In her duet “Aber der Richtige,” she began with a lush middle voice and a piano sound that slowly grew into her higher range.”

Operawire
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